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Literature Text
Forbidden Love – Somonka for LPS Contest
My little flower,
My heart is yours to play with.
My love is for you.
Your hair is like roses and
Your eyes are like sapphires.
My strong warrior,
My heart shall be your tonight.
Our forbidden love.
My body is yours to take.
Our souls are intertwined now.
My little flower,
My heart is yours to play with.
My love is for you.
Your hair is like roses and
Your eyes are like sapphires.
My strong warrior,
My heart shall be your tonight.
Our forbidden love.
My body is yours to take.
Our souls are intertwined now.
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The yellow hedgehog had suggested a sleepover over their fairly large apartment again, and Sonic had trouble disagreeing since it would give everyone something to do for the weekend, and having all o
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"Run Anook, Run!"
Those words startled me awake one July morning. The dew dappled on the grass glimmered in the early morning sunlight, and the fog was thicker than the creamy white foam on the crest of the turquoise waves. I galloped along the grass as my Dam told me. Something
something unknown to me was on Assateague. I had not seen it, but something told me it was nothing but danger.
My herd and I split up and fled in fright. I galloped alongside my Dam, questioning everything in between the frightened screams and shrieks of ponies.
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"It's Pony Penning Day, this happens around
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A portrait is a flat mechanism.
In suit and tie or dress, some stooped
at the base of couches dragged into frame
and then left there, staring forward.
It does not matter who, the people in portraits belong
to the immaculate house of the past
where no one has ever lived
and the furniture is simple wood
propped up by a dowel or a sheaf of papers,
solid oak wrapped tight with gossamer thin cloth.
Even this is untrue, for the ones who know
about gossamer are now dead, stock set
in memories born still
for the things hinted in them had not happened.
The brown tinged wood was not illuminated
by a light cast outside the photograph,
swaying in a foye
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This is a somonka I'm going to enter into the 's November contest.
A somonka is a japanese love poem similar to a haiku, except that it has two extra lines of seven syllables each. The first tanka (same thing as a stanza I believe) is spoken by the first person. The second tanka is replied by the second person. They are normally written by two poets, but the deal is that we had to write it by ourselves. So TADA! *thumbs up*
This poem got a runner's up spot in one of LPS's last contests ever.
Also, this poem is going to be published in the Winter 2005 poetry anthology by poetry.com! ^_^
A somonka is a japanese love poem similar to a haiku, except that it has two extra lines of seven syllables each. The first tanka (same thing as a stanza I believe) is spoken by the first person. The second tanka is replied by the second person. They are normally written by two poets, but the deal is that we had to write it by ourselves. So TADA! *thumbs up*
This poem got a runner's up spot in one of LPS's last contests ever.
Also, this poem is going to be published in the Winter 2005 poetry anthology by poetry.com! ^_^
© 2003 - 2024 asaila
Comments29
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Ah, stStrikingly beautiful. You twist the form in the same way I do, adding qualifying stanzas with an extra interpretation. I also like the symmetrical way in which the points of view compliment each other; equally interesting is the number of elucidations one can make from such a compressed piece. I can't comment on the technicalities, grammar is perfect, wording pristine. However, I will babble about the premise for a bit.
For instance; although Stanza one is obviously feminine in nature, it is narrated by another being, who is then serenaded with masculine terms. And yet, this is an assumption. Perhaps the title implies forbidden love in many ways; since the genders are not definitely stated, there is room to suggest ambiguity. The Love is obviously inappropriate, because of caste, gender, perhaps a Romeo and Juliet-type feud, you do not specify. Which gives the piece a wonderful poignancy, since the reader can choose to empathise in any way they wish.
I am glad this delicate, equivocal piece is getting published in any format.
For instance; although Stanza one is obviously feminine in nature, it is narrated by another being, who is then serenaded with masculine terms. And yet, this is an assumption. Perhaps the title implies forbidden love in many ways; since the genders are not definitely stated, there is room to suggest ambiguity. The Love is obviously inappropriate, because of caste, gender, perhaps a Romeo and Juliet-type feud, you do not specify. Which gives the piece a wonderful poignancy, since the reader can choose to empathise in any way they wish.
I am glad this delicate, equivocal piece is getting published in any format.